The manipulation of an opportunist creeper? | We want to hear what you have to say but need to verify your email. is candy a common or proper noun; Tags . We dont find out exactly what happened. While the narrative leaves a lot to be desired, the film as a whole is quite engaging. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. After Cordelia's last day working in the company, she comes back to an almost empty apartment she just moved in and receives a phone call from her mother. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie. Cordelia attempts to reclaim her power and overcome the stress, anxiety, and trauma of surviving a tragic event. She had until recently a relationship with her supervisor who ended the affair. All rights reserved. 1.5M views 4 years ago On this Ending Explained, we're breaking down the sci-fi action film UPGRADE. Upon completing one, an event will trigger (and so on). Cordlia is a 1980 Canadian French language film directed and written by Jean Beaudin. Later that morning they find a draft of a furniture and decide to finish making it. Only Michael Gambon, whose cameo provides the best two minutes in the film, really shines, as a crusty old Londoner desperate for company. Continue with Recommended Cookies, By One morning, they bump into each other in the workroom and have their first authentic conversation in a long time. But Cornelia puts a stop to . There is a downstairs neighbor, played by Michael Gambon, whose weird vibe is not licentious. However, the stroke causes him losing parts of his memory and no longer ascertaining the nature of his relationships with people around him. and the Earnest and sincere acting by Antonia Campbell-Hughes and Johnny Flynn (along with name-dropping cameos from Michael Gambon, Alun Armstrong, and Joel Fry) cannot buoy this vacuous mish-mash of tension tropes posing as psychological suspense. According to Oscar Wilde, "Imitation is the sincerest form of flattery that mediocrity can pay to greatness." And the way it doesnt stay tethered is what gives the movie its distinctive quality. Cordelia is a walking-talking porcelain vase: rake-thin, see-through and perilously beautiful. Cordelia doesnt look as if she should be alone, and also, yes, this set-up is very much like that of Roman Polanskis 1965 catastrophic bad mood piece Repulsion.. Rooms are ill-lit, utterly unrealistic, and audible dialogue seems to get munched up by the horrible curtains. In some ways, it's a riff on Polanski's. We won't share this comment without your permission. Caroline serves as Cordelias caregiver following a past incident that dictates her every motion. From left . Respectful? Your privacy is important to us. A heartfelt drama wrapped around a found family of criminal well-wishers that keeps one's mind occupied with an eerie ambiance throughout. External Reviews Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. The piercing ring of an old-fashioned phone interrupting the sombre silence of the flat is creepy but thats as far as the thrills go. At one point, Cordelia asks, Am I safe with you, Frank? To which he replies, Am I safe with you?. Youve got to start living in this world, her sister pleas. A woman is shown topless in a non-sexual context and there is forceful kissing without consent and pushing and grappling in a sexual context. So overall: admire the poster, skip the film. Except for that scene, everything seemed too cliche. Aug. 14, 2019. Both Campbell-Hughes and Flynn play their characters, Cordelia and Frank, with a veil of secrecy and mystery that adds to the nervy atmosphere. But with its lush cinematography, archaically creepy set design, and outstanding balancing acts from both Campbell-Hughes and Flynn, its never muddied to the point of being opaque and remains enthralling throughout. See our. All rights reserved. Launch List. Required fields are marked *. When a strange real-estate agent takes them to Yonder, a mysterious suburban neighborhood of identical houses, Tom and Gemma can't leave quick enough. Growing up with a critical father, Cordelia (known as Delia in the film) becomes an insecure woman who works in a large firm in the city. Coven of Sisters imagines Basque Country, 1609, to be riddled with evil, so when Ana and her village girls were found dancing in the night, there was only one explanation they are witches.When an inquisitor visits the village, the girls are arrested and placed in a small cell, where . Antonia Campbell-Hughes plays two women: Cordelia, an ailing actress, and her sexier sister, who bunks off near the start of the film to have a raunchy weekend in Bruges. The film is available for Video on Demand. Shot well, good acting and the 1 star review is right, it does lose its way but there's absolutely no way this is a 1 star film. Bit by bit, the atmosphere is filled with tension and suspense as Cordelia grapples with her mental fortitude in the face of uncertain danger. Does exposure to violent media desensitize kids to violence? She looks up Sabine on the internet, and incidentally, Taraud happens to meet Sabine and greets her with a kiss. But many things weren't tied up or explained at the end. Be the first to review this title. At least, that is what we perceive through Cordelias eyes. She develops an increasingly disturbing relationship with her neighbor, Frank (Johnny Flynn), during a weekend home alone. Violence, language, suspense in Hitchcock-inspired mystery. Your purchase helps us remain independent and ad-free. The movie offers good production quality, excellent acting but otherwise, I just don't know what it all meant. She's come from Brussels to meet him, and he takes her for a walk to inform . Cordelia (Antonia Campbell-Hughes), a young woman living in London, meets her mysterious and alluring neighbor Frank (Johnny Flynn) for the first time but quickly becomes suspicious of his motives. But before long, it seems that somethings a bit off. Its an appropriately dark and stormy night and Cordelia (Antonia Campbell-Hughes) is sitting alone in the basement flat she shares with her twin sister (also played by co-writer Campbell-Hughes). I find myself trying to workout whether or not her sister really exist. As the film's heroine deals with an identity crisis, finding herself as she overcomes trauma, the film itself is undergoing a similar journey. cordelia film ending explained. In some ways, its a riff on Polanskis Repulsion, with the story of a lonely young woman beginning to get unmoored from unreality. Cordelia attempts to reclaim her power and overcome the stress, anxiety, and trauma of surviving a tragic event. Verified reviews are considered more trustworthy by fellow moviegoers. Visit our full length Privacy Policy to get informed on our policies regarding the collection, use and disclosure of information we receive from users. Watch Film Threats annual event Award This. The dramatic thriller is filled with ambiguity, both in character motives and the overall tone. Despite all the potential and talent evident in this project, Cordelia doesnt commit enough to its horror aesthetic to get the most out of its premise. Copyright Fandango. Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. Cordelia ( Antonia Campbell-Hughes) is a woman living with the ongoing effects of trauma. I really had no idea what was going on in 80 percent of this movie, but held on for resolution at the end. The final cut of the film is a profoundly intriguing psychological thriller, but the possibility of a slightly more erotic psychological thriller in the vein of Fatal Attraction was tantalizingly close to being realized. Coming Soon. It's just not interesting. Get the freshest reviews, news, and more delivered right to your inbox! Parents, talk to your teens about your own values regarding sex and relationships. One weekend her twin sister Caroline (also Campbell-Hughes) leaves on a trip with her boyfriend, leaving Cordelia to fend for herself. Discuss the violence in the film. Or therapy. Even he struggles to fully inhabit the panting geezer-cellist character hes been dealt with, and who can blame him? "lush cinematography, archaically creepy set design, and outstanding balancing acts from both Campbell-Hughes and Flynn", Your email address will not be published. At the precipice of a new chapter of her life, Cordelia finds herself questioning everything when someone starts taunting her with prank calls. As everything is recorded for Ben, he tells Ben that this podcast, which will eventually spread across America, will let everyone come up with their voice. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Common Sense Media. Yes, Polanskis film made its heroines hallucinations seem part of objective realityhell, one of them pioneered an effect thats still frequently, and still effectively, used as a jump scarebut in Cordelia, the borders between whats happening and whats happening in Cordelias head become increasingly porous, as the action itself becomes increasingly dire. Ferdosa (she/her) is a lifelong student of cinema. There aren't any reviews yet. By continuing, you agree to the Privacy Policy and The score is paired beautifully with Tony Slater Lings cold and somber cinematography. Todd Field 's " Tr" ends with disgraced conductor Lydia Tr ( Cate Blanchett) conducting the score of "Monster Hunter . Unsettling thriller about grief has sex and some violence. In "Cordelia," a thriller directed by Adrian Shergold from a script by Shergold and the film's lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. It's not a horror story, although things do get gothic and creepy as it progresses. How did it affect you? Her most enduring passion was for birds. Shergolds directing pulls out all the stops to ensure the audience is thoroughly immersed in Cordelias journey. John Koestler's kids are central to why some still want the Knowing ending explained. Antonia Campbell-Hughes character grates from virtually the first scene - shes a slow-blinking, slow-masticating dreamer who can't be imagined eating coco pops or ever, ever making a joke. She was convinced he was the caller but after she stabs him, she get the call and. Cordelia is one of those films that you watch and instantly want to watch again to go back and spot all of the little clues that you missed the first time around. Now, Graham's making Film Threat cares about your privacy and the security of your information. Cordelia then picks up when Cordelia is approached by her cello-strumming neighbor, Frank (Johnny Flynn), who spotted her dining at a small cafe. A mysterious caller begins to torment her at night, theres a supposed rat infestation and her upstairs neighbour Frank (Johnny Flynn) is more than a little bit shady. They won't be able to see your review if you only submit your rating. I just hate when filmmakers fixate on a premise and try to build an entire movie around it. Cordelia Review: Psychological Thriller Suffers From An Identity Crisis, A Perfect Pairing Review: Unexpectedly Delightful Rom-Com Is Slightly Hollow. We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. So, it is fairly apparent that Quentin was Abilene's drug dealer, who just let her die because if she called 911, she would take Quentin's secret deal down with her. Bleeding together dream and reality, the film toys with perceived reality, as the pair play a game of cat and mouse, their roles never quite clearly defined. Not being able to assure the existence of this friendship with her father, Cordelia returns to the city to carry on her life until one day she comes home and finds a package sent by her father 10 Video Games That Need a Live Action Adaptation, 2023's Most Anticipated Sequels, Prequels, and Spin-offs. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. The movie seems to be about how he is reduced to humility and humanity--or maybe that's just a trick on him. Meanwhile, Cordelia begins to recall her unpleasant childhood memories with her father because of her presence at home. And Cordelia herself is a pretty chilly customer, albeit hardly without good reason. Subscribe For Dead Estate http://bit.ly/GuueyGuubersAbout Dead Estate Game Play Dead Estate Game Here https://store.steampowered.com/app/1484720/Dead_Es. Cordelia stumbles across pictures hes taken of both her and Caroline from afar.. The script doesnt ride to the rescue: its unimaginative, clunky, full of dazzlingly tedious lines about stuff like RADA (Cordelia went, and says she was really good at acting before drama in her own life cannibalised her career. Was it affectionate? It successfully creates an eerie and suspenseful atmosphere, but the plot leaves too many unanswered questions. Cordelia released in theaters and on demand Friday, May 20. Once again, this high point amounts to little and feels rather inconsequential. The thought of such only heightens her anxiety. Instead of wrapping up or leaving it open, the ending almost bleeds away, leaving a feeling of dissatisfaction that doesn't quite live up to the movie's early promise. Despite a dynamic lead performance from Campbell-Hughes and a charming turn from Flynn, the film smacks into a wall in its third act when itfails tofully realize the characters' relationship. Can you think of other films that use a similar device? Co-written by director Adrian Shergold and Campbell-Hughes, Cordelia follows a troubled woman (Antonia Campbell-Hughes) suffering from a traumatic event that derailed her life. Campbell-Hughes plays Cordelia, a troubled, damaged soul who is only just recovering after some unnamed trauma; she is an actor rehearsing a play and comes to stay in a creepy London mansion flat occupied by her twin sister Caroline (also played by Campbell-Hughes) and Carolines boyfriend Matt (Joel Fry); they leave her alone there. Sometimes the walls dont have to be closing in to create an oppressive atmosphere. Youve got to start existing. Maybe I wasnt meant to exist, Cordelia quips. But her defences are non-existent, partly because she's nuts, but also because shes been aware of him for years, sawing away at his instrument upstairs. It wouldn't be a "Creed" film if it didn't end with a massive fight between the big villain and the underdog. It's a modest but highly enjoyable film. Terms and Policies She is acting in a play and becoming attracted to Frank (Johnny Flynn), the cello player who lives in the apartment above her. How much was actually shown? The father is able to share his thoughts with Cordelia and encourage her. During their meeting, Frank receives a call and suddenly exits the pub from the back, asking Cordelia to accompany him. Original reporting and incisive analysis, direct from the Guardian every morning, heres a really interesting pairing of two really interesting screen presences Antonia Campbell-Hughes and. In the sequel, we will see her prove her innocence and get the needed . However, as the film reaches the climax and all is to be revealed, it suddenly pulls the rug and stops short of perfection. I found the movie claustrophobic, confusing, hard to follow and hard to understand. [1] It is an adaptation of the novel La lampe dans la fentre by Pauline Cadieux, itself based on the real-life 1890s murder trial of Cordlia Viau and Samuel Parslow. Like Cordelia, it starts off as unassuming, but it becomes increasingly unpredictable and intriguing as she carries on. An example of data being processed may be a unique identifier stored in a cookie. She develops an increasingly disturbing relationship with her neighbor, Frank ( Johnny Flynn ), during a weekend home alone. While the actors brilliantly play against each other, giving us that oh-so-sweet taste of the erotic psychological thriller promised in that poster, the end simply fails them and fails the audience, too. Yeah I didn't hate it but it wasn't amazing. Cordelia, who has been left traumatised from an event from the past, sees her recovery thrown into turmoil when her sister leaves for a weekend away, according to film site Flickering Myth . In CORDELIA, a young woman spends the weekend alone in her dark, dingy London flat. How Do I Protect My Young Child from Cyberbullying? Theres a dark shadow hanging over the titular protagonists past, and as events grow stranger she slowly starts to fray at the seams until what is and isnt real becomes indistinguishable. By its conclusion, the film offers no easy answers, as the ending will undoubtedly provoke conversation. Franks utterly charming, and its immediately evident that he has eyes for Cordelia. This action offends the conservative villagers. [1] It is an adaptation of the novel La lampe dans la fentre by Pauline Cadieux, itself based on the real-life 1890s murder trial of Cordlia Viau and Samuel Parslow.[2]. Manage Settings Upon meeting Frank for an after-work drink, Cordelia stumbles across pictures hes taken of both her and Caroline from afar. She was an heiress without a cause an indifferent student, an unhappy young bride, a miscast socialite. The reveal of what the trauma was fell flat. When her twin leaves for a weekend (with bf Joel Fry) Campbell Hughes gets to know the flirtatious Flynn, but also attracts a sinister stalker (could it BE Flynn?)