Notes on the world: humans are at a hunter-gatherer to city-state level of development, gods are real but you can never talk with them, spirits are everywhere and run on fae logic, and demons are corrupted spirits that will ravage towns/cities and curse people. It happens as the tale sees fit. If your mage has a limit on their powers (and having a human with unlimited powers is probably going to break a story, at least with that human being the hero), the limit must always be the same or you need to give a reason why it is different (the character is exhausted and thus cant muster as much magic or the character took a specific potion which boosted their powers, for instance). A cunning ex-adventurer named Wlfrilda seeks a company of adventurers to explore the Pikawas Jungle. A person can use their mental conviction to create any of these energy forms by channeling the Ether (Breaking the law of Conservation- Something from Nothing). Were he an adult already, thered be hardly a limit for him, apart from morals. 3. Earth magic is strongest during Spring. If anyone wants more detail and is interested to see the actual magic just comment and feel free to critique. The God of Parties, on the other hand, would be very chaotic. Thats why we have a character (in the Silmarillion, and referenced in passing in the songs and stories Aragorn tells the hobbits on Weathertop and they later hear much more about in Rivendell: a character like Luthien Tinuviel, who inherited her power from her connection to both the mortal (in the sense of not being a divinely descended spirit who chose to take bodily form; Tolkiens equivalent of greater and lesser angels whom he sees as having a role in the world; her father was a powerful Elf king but still in that sense mortal) and angelic (her mother, who was a lesser angel who fell in love with her father and chose to take on bodily form enough to bear his child but still remained of divine race) lines in her ahcestry. There are plenty of stories where power just keeps building and building, which eventually makes the characters at the beginning of the story weak in comparison even though they were seen as incredibly powerful at that time. What do the spirits get out of it? Yeah, I think your fabric metaphor works great. That boar, the Twrch Trwyth? I agree. Forms of magic include earth magic, metal magic, plant magic, and animal communication/manipulation. Energy-based magic is easy to use because it comes with limitations. All magic is governed strictly by the Law of Equivalent Exchange, which says that in order to obtain something, something else of equal value must be lost. When the protagonists need to create something, the readers understand exactly what materials they need to sacrifice. Other beings and worlds exist on the other higher planes, essentially are in a higher state of Existence, or State of Being, determined by Spiritual Awareness, beyond what a mortal of our Plane can even fathom. Taking this further would logical lead to even more powerful techniques, using vacuums to burst eardrums, rupture lungs, and using air pressure to launch objects in ways similar to the people that build vacuum cannons that launch ping pong balls at supersonic speeds. Maybe if their contact to spirits is limited, or the spirits themselves have goals that dont line up with the protagonists goals. About the two types of fantasy magic systems Which POVs will best suit your story All about your publishing options There will also be practical tips that you can apply to your story straight away. That might work as well, but its a completely different kind of image in peoples minds. Angels are not incapable of doing bad things and demons can be nice every now and then. Though I have some questions mainly concerning what allows some to manipulate this balance for a certain time? ), Given how late it is, I hope this makes SOME sort of sense :-S. Thanks alot for your thoughts, it looks interesting! However, this doesn't have to be the case, the hero might not be strong enough on his own, but with other fighters the combined power might be enough to defeat the villain as well. Olwens father told Kilhwch he wanted that comb, razor and scissors to dress his beard with on the day of the wedding, before he would allow him to marry his daughter. The descriptions follow the same pattern overall, but the details will vary to create different magic systems. There are many assumptions in this article, it only focused on a small, known part of magic. Do you guys have questions? While characters can invent some potions, it appears they only do it by trial and error, not through a formula that guides what goes into a potion to create specific effects. ): magical technology (uses the "uses of a spell casting focus/item" cost in addition to any others) fiendish/evil divine the far realm a mutation that is part of the users spirit-related natural limbo/the elemental planes unknown You need to make your sub-types of magic logical parts of the main type of magic. I just finished the entire creation story because of these questions as well as creating a more refined system of magic in my book! And if so, is it because their culture is different and they learn to wield it in different ways, is it because they simply cannot wield it the same way due to biological differences or is it because they use different sources, like blood magic and magic pools? Theyre more afraid of the death of their world than their own personal death, however. In the TV show Im writing, there are dryads, nymphs, and naiads, which are all parts of nature. However, it makes it harder to build tension when power levels can change at any given moment as needed, especially at climaxes, where emotions will naturally be high. In this case, rational, soft, and hard come from Brandon Sanderson. So I would greatly appreciate some constructive feedback back. Being able to gain power is generally an often picked choice for story telling, first the hero is unable to defeat the villain, but after training or some other form of power gain the hero becomes stronger than the villain. Robert Asprins MYTH novels actually do a good job limiting magic in a similar way. World-Building, Prepare to Write, Revising for Publishing, As bestselling author Brandon Sanderson explains. Take Noethers Theorem for example. Occult Network-- The magic Internet. That can have a lot of applications. Are you looking to define what weaving one can and cant do? If there are powerful gods, it might make more sense for magic to come from the divine power of the pantheon. The Towers radiate an energy that interferes with circuit boards, so the only expeditions have been with primitive tools. Mana could be used right from surrounding world or produced from other types of energies. Seventh Sanctum: Magic Generators If you figure out exactly what each type of thread is doing to hold the world together, you can not only extrapolate what magic they can do when woven, but also predict the damage that the world will suffer when too many of them are used. Many fantasy authors incorporate magic into their stories simply because fantastical abilities are a fun means of escapism. Specific effects include causing earthquakes, preventing earthquakes, and turning people to stone. If you are not creating a game, where you want a firemage be as powerful as a dark wizard for balancing sake, your magic doesnt need to be symmetrical. Some ideas are more fleshed out than other, if thats saying much. Humans access it by eating a special plant that bio-accumulates it. : I was actually thinking of precursor aliens having set everything up, but that raises a lot more questions of motivation and the ability to remain undetected. All three should work together to create the magic system. This is because an all-powerful antagonist makes the story more exciting and perilous, while an all-powerful protagonist achieves the opposite effect. Im using the elements as chemical states and even nature transforms between them (ice to water, water to steam, or the other way around for water). It will allow to make some zones where one or other magic will not work, or otherwise where will be much easier to cast specific spells. Entire body effects:: So thats where the other two paragraphs of my previous comment come in. And if they can add energy to it, it sounds like they have to absorb that energy like a conduit. Like I said, its early days but any feedback or suggestions would be super-welcome!! The more unique you make it, the more memorable your book will be for readers. That is, unless you have a good relationship with him. Start by looking for further implications of what youve already established. There are over 1400 name generators, as well as many description generators, guides and various tools you might find helpful. Group A (Comment if you have a better name), They cant stop their emotion from changing surfacing and tend to be extra emotional. Fireball that damages a characters weapons/armor, while leaving the character unharmed. Apoglies if it comes off as confusing, Im not very good at conveying my thoughts and ideas, will explain in greater detail later. I also thought about adding elementals (People that impersonate a specific emotion and can change when overloaded with emotion) and some lore. Magic would be cheaply acquired from soil the plant cant grow in, and they wouldnt have to worry about getting sick from overeating it. Ask yourself what kind of problems magic will cause your protagonists, and whether your antagonist will use magic to achieve their goals. We've covered the source, the wielders and they way they wield power, but we still need to cover one of the biggest factors of magic, which is the power itself. You can also use that fickleness, maybe, and some other things this answer mentioned, to weave in logical limitations on emotion-based magic that will make it perhaps more palatable to your readersin fact, in ways directly related to the example of exhaustion. Those affected will suffer from chronic pain, skin lesions, and become prone to violence; but they will also gain super human strength. Since the protagonists are on this side, it would remove a lot of tension. When the nanites detect the presence of something within a host, the nanites become active, forcibly altering & rebuilding the subjects body from the inside out. However, understanding how magic can operate in fiction is key to ensuring that your magic system serves your story rather than undermines it. Just remember that great ideas are only the start, solid implementation has to follow, and learning that takes a lot of time and practice. Of course, its possible. Skill also plays a part, and is determined by both intelligence and creativity. The houses are merely there to spark rivalry, they have no deeper meaning for the magic or the story. But that doesnt mean all magic systems work equally well for stories. You should take a look at Harry Potter and the Methods of Rationality.Google search it; itll come right up. That means every control over them would be on the molecular level, manipulating the molecules and atoms to speed up or slow down or (for changes) change their configuration. This may or may not be an insuperable obstacle. If youre curious about the source man to machine interfaces, nanites cluster on nerve ending allowed some individuals to easily interact with ancient tech, or even graft it into their bodies. At the very least, you need to foreshadow that. If I use strength to push a boulder, that boulder gets the amount of energy while moving (with a little bit of entropy when it comes to friction, of course). What can your high fantasy magic do as in abilities and cant do like limitations? Everything is what she deems fair. In Dune, those who are exposed to spice develop powers over time. Easier than fire/heat and air/wind, but it takes training.). For instance, some animals can also cast magic, and they do it pretty much the same way people do. Too Trope-ish?? (I wont deal with it here and now, as this reply is getting too long already and you never mentioned it in your comment). In addition, exposure to sea water improves magical ability for humans slightly, especially childhood exposure, so the strongest spellcasters are all in coastal areas. It could also be from astral radiation or human emotion. I have read an anecdote in which members of a certain tribe classified an orange with a knife, rather than an orange with an apple as the Western researchers expected, reasoning that a knife cuts an orange so they belong together. Im currently working on subtypes to it but I am miserably failing. The only difference is Life energy contained in every living creature, and every creature has own Mind ball in place of real brain. Magic system generator the magic system's origin is (1d? Check out my other generators Here we will get into seven different bases to help you create your unique magic system. Ripple: The last step. One example is that because the laws of physics are invariant with respect to time translation (they dont change over time), energy is conserved. These terms, originally coined by Brandon Sanderson, are widely used by fantasy fiction writers today. Cool system, sounds like it has great story possibilities. Either way, the recipients of the power lose whatever memories gained before or during their stay at the Towers. 7 Ways To Create A Spectacular Magic System For Your Novel Strength no longer depends on physical brute force but many new factors make it so much more complex. Oh wow that turned out to be a lot of text. You might want to read them. In The Kingkiller Chronicle by Patrick Rothfuss, the magical discipline of Naming is a soft magic system. If every spell casts creates a knot that must result in the opposite effect happening then the incentive to kill becomes too great. Soft magic systems are the opposite of hard magic systems: they dont need to have a clearly defined set of rules. In one of my worlds (an urban fantasy kitchen sink setting where many mythological creatures from many different cultures exist), the rules are: Creatures can either have magic or be magic. Do magic users have their own language, religion, festivals, and/or other cultural hallmarks? (somewhere I have a document outlining Philosophical associations between Elements). What are the interconnections between the ideas Ive come up with? Project | Fire | Destroy | Item I think I mostly understand, but Im not exactly sure what Interferers cant an cant do. So what do you think? Maybe something with an eclipse? These expeditions have all been disaster, as the concentration of Ghoul (better then Specters at least) is much higher in those areas. Magical properties are randomly given to some creatures and elements (eg: Fire breathing dragons, Gem stones that arent affected by gravity)- this type of magic is Irational but still has rules (depending on each specific example), But the most common form of magic is the one humans can control- this is a rational hard magic that is all about Energy, our ability to create & manipulate it. However, scholars and Wise Ones know that harnessing sunlight is possible, for virtually every plant known to this world is more than capable of harnessing sunlight, and does so continuously, every day. In the Harry Potter series by J.K. Rowling, wand magic is like language. Are there other applications that would make sense? Have holy magic as something humans can gain through service to the gods, but have the gods as some random element that cannot be influenced at all. A hard magic system is magic with a clear set of rules. Nanite clustering effects::kind of dangerous though, theyre a lot like tumors, and have a tendency to grow. With very little people learning magic outside of their respective faction but its not a common practice. This could also link in nicely culture and tradition (festivals on summer or winter solace to celebrate the Mother). Weve seen them move and break rock, so it follows that they could make a hole through a mountain. I would think about the ways that physicists would classify energy kinetic energy (movement), electrical energy, heat and let your characters manipulate those. You mentioned Mana, Life and Mind as the elements of your magic system. Fire born and living in constant motion, generating heat that is eventually extinguished, restoring the balance. also just a thought, you also could have mentioned the Eragon series which uses language as the limitation for casting, and physical energy for fueling spells. In spring, the plants are young and green, and they begin to steal sunlight. In this world i was playing with humanity had long ago developed nanotechnology as a means of improving quality of life; whether that meant cleaning up the environment, being used for medical purposes, or for body augmentation didnt really matter. For example, you can create a magic system that has very clear rules for your protagonist but only vague rules for your antagonist. One of the things I noted in that comment is that what seems to make sense differs between individuals, cultures, and even species. You can find that kind of magic partially in a system like Magic The Gathering (which has earth, fire, and air I think its been a while). document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Become a patron and chat with us on Discord. If most people are one or the other, and Conduits are rare, then most Conduits will also be the children of Interferers.
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